Purple necklace

Having rushed in to the Perth Convention and Exhibition Centre to mind the WAFTA bag display without anything to do, I called round to the Dairing stand run by Teresa and Stephen Dair.  Teresa had been our guest speaker at WAFTA the previous evening so I knew  she had lots of interesting things.  Sure enough, I was able to grab a kit for a necklace I could work on while still being able to talk to visitors and keep and eye on the bags.  In other words, it was easy!!

Here is the finished work!

Purple necklace from a Teresa Dair kit (27% metal; 73% rayon).  Knitted.

Purple necklace from a Teresa Dair kit (27% metal; 73% rayon). Knitted.

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Purple phone bag

And another one!  Made from a scarf in a deconstructed screen printing session with friends, I’ve added some hand stitching and some buttons.

Silk scarf , deconstructed screen printing, machine and hand stitching, buttons

Silk scarf , deconstructed screen printing, machine and hand stitching, buttons

Posted in Bag, Deconstructed screen printing, Hand embroidery | Leave a comment

Freeform bag

Yet again I’ve made a bag!  This time the inspiration was discovering that the WAFTA feature display at the Perth Quilt and Craft Fair from 22-26 May this year didn’t have a “traditional” freeform bag in it.  Conscious that followers of Prudence Mapstone (who will be at the Fair) would like to see a bag, I designed and made one.  It took longer than I thought it would.  Of course.  It always does. Anyway, I decided not to do the stereotypical “pouch” or “dilly bag” style.  I chose to back it with Annie’s Soft and Stable and to line it with a champagne coloured dupion silk.  It’s made of wool, alpaca, mohair and cotton fibres.  I’m quite pleased with it actually.

The back of the bag straight on

The back of the bag straight on

The view of the back of the bag from the top showing the facing

The view of the back of the bag from the top showing the facing

One side of the bag showing some detail

One side of the bag showing some detail

The front of the bag taken straight on.

The front of the bag taken straight on.

Posted in Bag, freeform crocheting, freeform knitting | 4 Comments

Project bag

Front showing self portrait, large pocket and small bags and attachment places.

Front showing self portrait, large pocket and small bags and attachment places.

I seem always to be packing for a workshop from a large “requirements list” that includes staple supplies like sewing thread, knitting needles, bobbins and scissors as well as more specific resources like ribbon, organza, specialty yarns and carbon paper.

In my “bag-making ” mode for the May 2013 Perth Craft and Quilt Show bag display by WAFTA, I decided to try a design for a “project bag”. This would  be large and I wanted to use all my scraps of canvas and silk that had been printed using deconstructed screen printing techniques.  I also wanted to use various fabric manipulation techniques so that the bag would offer me a ready reference for these as I designed a new project.

Because I like text, I thought it would be good to write instructions for every day tasks on it.  So i added the formula for drafting half square triangles and the instructions for shaping a crocheted leaf.  The conversion table for the weight of silk to mommes was also a “must”.

The bag  was to have specific places for specific tools (like a tape measure, knitting needles, ruler and scissors.  It also needed some more general pockets for the plethora of other things we take to workshops, like unpicker, pins, machine and hand needles, rulers, carbon paper, patterns, buttons, embroidery thread, heat gun, glue gun, soldering iron, etc.  On the inside, one needs a place for lunch, purse, mobile phone, keys to the building (I seem to b e the key holder a lot), etc.

The end result is a bag with a vast interior for actual fabrics and interfacings (including soluble fabrics), paper etc, plus lots of pockets and bags in which to put notebooks, buttons, trims, bobbins, threads, crochet hooks, thimbles, measuring tapes, beads, stencils, ink bottles, crayons and pencils, etc.

Here is the final:

Side showing long vertical pockets for knitting needles and a ruler plus a small bag for thimbles and seam ripper.

Side showing long vertical pockets for knitting needles and a ruler plus a small bag for thimbles and seam ripper.

Non-specific pockets for packets of pins, buttons, bobbins etc plus a capacious one for the all important scissors!

Non-specific pockets for packets of pins, buttons, bobbins etc plus a capacious one for the all important scissors!

Posted in Bag, fabric collage, fabric crinkling, Hand embroidery, Machine quilting | Leave a comment

Trudi and Helena Pollard organised with Rose from Gwendoline Grace and Gatsby at http://www.ggghats.com.au/profile.php

to present a workshop on making stiffened silk fabric roses today. We all had a ball.  Thanks Trudi and Helena!! I’ll do better next time….but in the meantime here is my first attempt…..

A rose made in a workshop from silk dyed and stiffened by Trudi Pollard and taught by Rose Crane from Gwendoline Grace and Gatsby Hats http://www.ggghats.com.au

A rose made in a workshop from silk dyed and stiffened by Trudi Pollard and taught by Rose Crane from Gwendoline Grace and Gatsby Hats http://www.ggghats.com.au

 

 

Posted on by Margaret Ford | Leave a comment

Bag with crinkled tab

I will be demonstrating a (relatively ) low tech method of wrinkling up fabric at the April meeting of the Contemporary Quilters’ Group of WAQA so I made this bag to show what you can do with the outcome.  The fabric is an interesting 100% cotton woven in Indonesia and bought straight from the loom on a holiday.

Not only is the method low tech and reasonably cheap, it is sufficient embellishment for a cotton bag.  I had several nice alternative strap options and some good stones to add but really they would have been OTP.  I opted for a fabric strap and nothing else.

This bag is also interesting to me because I ran out of the usual product I use for interfacing,  so I substituted heavyweight Fast2Fuse, ignoring the glue on both sides and just stitching it in.  I was quite surprised how pleasing the results were in terms of the body of the bag.  It stands up but doesn’t feel unpleasantly rigid at all.

Hand woven Indonesian cotton fabric, crinkling technique for the tab, self lining plus Fast2Fuse interfacing and magnetic closures.

Hand woven Indonesian cotton fabric, crinkling technique for the tab, self lining plus Fast2Fuse interfacing and magnetic closures.

Posted in Bag, fabric crinkling, Machine quilting, patchwork | 2 Comments

Red silk bag

I padded out the magnetic closure to provide more room for the contents.  In my experience, too many bags look best when they have nothing in them!

I padded out the magnetic closure to provide more room for the contents. In my experience, too many bags look best when they have nothing in them!

In another attempt to master bag making I put together a packet of silk scraps bought years ago in Canberra. The good news was that they all co-ordinated.  The bad news was the pieces were so small I had to stitch them together first to get big enough pieces for a bag.  This left the final bag looking a bit “patchy”.  Another disadvantage was that the fraying meant I had to do some “rescues” involving satin stitched edges which were not a part of the original design but required to get it to hold together!

Anyway, it will be a colourful contribution to the WAFTA display “A Bonanza of Bags” at the Perth Quilt and Craft Show in May.

Packet of silk offcuts, "Soft and Stable by Annie's" bag interfacing, polyester lining and magnetic bag closures.

Packet of silk offcuts, “Soft and Stable by Annie’s” bag interfacing, polyester lining and magnetic bag closures.

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Phone Bags

My friends from MELD, Julie and Liz, had birthdays this month and I made each a little phone bag.  They hold a smartphone, a credit card, a $50 note,  a front door key and the gizmo that controls the locking and ignition of the car.  In other words, everything one needs to survive in the 21st century.

 

Hand painted fabric and a "Wild Woman"

Hand painted fabric and a “Wild Woman”

 

Hand woven fabric from Indonesia, hand stitched

Hand woven fabric from Indonesia, hand stitched

Posted in fabric collage, Hand embroidery, Machine (dry) felting | Leave a comment

I Wish You Wings

Had a great day with my MELD colleagues today.  We stitched and critiqued as usual but a highlight was the handover of the images that my fellow MELD member Louise Wells’ son, Josh,  had taken of our work.

Josh Wells is a budding professional  photographer (if that ‘s a meaningful term) who offered to shoot some of our work.

Two images are on the MELD blog but here are the others. The MELD blog is at http://meldarts.wordpress.com.

My grandson, when eight and nine years old,  was fascinated by, and devoured, the Maximum Ride series by James Patterson in which children could grow wings.  “Grandma, I wish I had wings!”

Basically the work celebrates the close bond between me and my grandson, whose little “gifts” to me as a toddler were all saved by me and are stitched into the work to represent the things I in turn wish for him as he becomes an adult.  Seeds represent fertility.  Money (20 cents) represents a wish that he have enough to meet his needs but not enough to skew his morality. A maze represents the life challenges he will have to navigate; while an apple segment signifies a wish for his health. The shells he gave me each time we went to the beach  stand for his  love of swimming.  The feather  that encases these objects, and the feathers he also found and presented to me, represent his longing to “have wings”. Finally, the words down the side of  the feather are from a song by Mark Harris.

Mark Harris’ words are: So let my love give you roots and help you find your wings.

I Wish You Wings was exhibited at the Nyisztor Gallery in the Designing Women  (http://designing-women-wa.blogspot.com.au) exhibition last year.

 

Detail, photography by Josh Wells

Detail, photography by Josh Wells

Detail of I Wish You Wings, Moire sold , silk thread, found objects, 2012 (photo by Josh Wells)

Detail of I Wish You Wings, Moiré  silk , silk thread, found objects, 2012 (photo by Josh Wells)

Posted in found object, Hand embroidery | Leave a comment

FiguRED

For the final piece in the Red series, I made a background from the fabric and thread scraps of the earlier pieces using the embellishing machine and a piece of black acrylic felt. After stitching it to emphasise the perspective, I applied a black pseudo felt image derived from a copyright free image from the internet.

Here is the last of the Red series:

FiguRED

Posted in Machine (dry) felting | 5 Comments