AnsweRED

The penultimate red piece, AnsweRED, is a variation of traditional log cabin piecing with a central question and peripheral (in more ways than one) answers.

Pieced background of printed fabric, Shiva stick, hand stitching

Pieced background of printed fabric, Shiva stick, hand stitching

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LetteRED

This and previous posts demonstrate that I need to improve my photography skills.

LetteRED has a background of small torn pieces of fabric overlaid with very fine red nylon gauze held down with free motion quilting using words associated with higher education – hence the LetteRED man. Also has hand embroidery and some “Treasure Gold in aquamarine to highlight.  The mortar board derives from a non-copyright  image on Google.

LetteRED

LetteRED

LetteRED detail

LetteRED detail

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NumbeRED

Again I’ve used a collage of fabrics as the background but this time applied image transfers of multiplication tables and deployed a gold Shiva stick over the top.  As usual, a lot of hand stitching – don’t seem to be able to stop that!

NumbeRED

NumbeRED

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ZippeRED

And this is ZippeRED, lots of different fabric manipulation techniques as well as the zip which can actually be slid up and down.  I’ve padded the upper left and right sides to simulate a blouse!

 

ZippeRED

ZippeRED

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LayeRED and PrinteRED

The LayeRED  piece is now mounted.

LayeRED

LayeRED

This is PrinteRED

PrinteRED

PrinteRED

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Experiment with hair removal cream

A friend gave me two tubes of hair removal cream she couldn’t use.  I wondered if they would have effects on silk and wool (protein based fibres) similar to their effects on skin and hair. The active ingredient of these products is calcium thioglycolate. It acts to soften the skin’s epithelium.  The cream I used in my test was Nair Sensitive, a peachy pink cream. It also contains oils.

I pinned out a piece of hand-dyed silk fabric and applied the cream to each quadrant of it at different times through a stencil.  The cream was left in the left upper quadrant for one hour; in the right upper quadrant for 45 minutes; the left lower quadrant for 30 minutes; and the right lower quadrant for 15 minutes.  The recommended exposure for skin is five minutes with a maximum time of ten minutes.  I then washed the whole piece with soap and water.  Interestingly, no grease marks.  Just some pale pink stencil shapes. The Nair cream had behaved in a similar way to Decolourant Plus in that the colour of the fabric had been removed and replaced by the colour of the cream.  No obvious stress to the fabric itself, however.  No holes or weakening.

The fabric before treatment

The fabric before treatment

After application of final test in lower right quadrant
After application of final test in lower right quadrant

Fabric after washing and drying showing pink marks

Fabric after washing and drying showing pink marks

 

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GatheRED

GatheRED

Another in the red series but you can tell it’s the first time I’ve smocked since in primary school!

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FloweRED

FloweRED

Another of my red series on canvases 12.5cm x 18cm. Painted, stencilled and applied fabric flowers.

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ChequeRED

ChequeRED

One of the red series using a woven fabric background and a found object.

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Welcome

Welcome to my first blog.  One of my resolutions for a more organised and productive 2013 is to begin a record of my work.

I’ve called it Horace to celebrate my very first exposure to textiles.  Horace is a horse knitted by my mother and stuffed with sliced up socks from my father. He’s older than I am.

Margaret (Ford)

Horace the Horse, Audrey Ford, 10cm x 15cm, knitted wool and upcycled woollen socks, hand embroidered accents, 1950.

Horace the Horse, Audrey Ford, 10cm x 15cm, knitted wool and upcycled woollen socks, hand embroidered accents, 1950.

 

 

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